Credits

Film Still from Lucy Raven, Murderers Bar, video work

Lucy Raven, Murderers Bar, 2025, production still from moving image installation, Courtesy of the Artist and Lisson Gallery, © Lucy Raven

The following individuals assisted in the creation of Lucy Raven’s moving image installation Murderers Bar (2025), now on view as part of the exhibition Lucy Raven: Murderers Bar:

Director and editor: Lucy Raven
Composer: Deantoni Parks
Producers: Annalise Lockhart, Lucy Raven
Directors of Photography: Yancy Caldwell, Soren Nielsen
Additional Aerial Photography: Cooper Morton
FPV Photography: Dan Gibeau, Jonny Durst
Helicopter Photography: Thomas Miller
Underwater Photography: Lucy Raven
Location Sound Recording: Jesse Nordhausen
Special Effects Coordinator: Cooper Campbell
Helicopter Pilots: Peter Kuendig, Forrest Krupin
Additional Production Assistants: Talya Krupnik, Magda Galen
Visual Effects: Carla Lopez Estrada, Ken Rogerson
CG Supervisor: Kai Chang
Hydrographic Consultant: Jesse Sabatier
Consulting Editor: Mike Olenick
Sound Editor and Re-Recording Mixer: Dave Paterson
Foley Artist: Rachel Chancey
Online Editor/Colour Grading: Soren Nielsen
Audiovisual and Lighting Design: Randy Gibson
Screen Design and Engineering Consultation: TraceMFG

Thank you to the Yurok Tribe for their collaboration, support and use of data.

With thanks to:
Marc Agger, Shane Anderson, Adam Bandrowski, DJ Bandrowski, Isadora Barney, Heath Bauer, Mike Belchik, Thomas Beard, Ren Bronwell, Vic Brooks, Ty Burdenski, Joel Draper, Sophie Faris, Susan Feldman, Glen Fogel, Elaine Garcia, Randy Gibson, Will Harling, Jason Hartwick, Kelli Holt, Sean Iiams, Ryan Jenkins, Anthony Kiendl, Mike Koehler, Bennett Koziak, Alexis Lowry, Isabel Mallet, Ari Marcopoulos, Aldaron McCovey, Ivan McLean, Dave Meurer, Elisa Nuyten, Etienne Proulx, Angela Slagle, Phil Tippett, Nat Trotman, Nelson Tyler, Julia Paoli, Dan Petersen, Mark Raven, Maria Raven, John Rember, Julie Rember, Rebecca Shapass, Ellen Shenkarow, John Stafford, Catching On Thieves, Kara Walker, Evan Calder Williams and with special thanks to Matthew Barney.