Howie Tsui: Retainers of Anarchy

March 4, 2017 - May 28, 2017

Howie Tsui
Retainers of Anarchy, 2017
key frame drawing for algorithmic animation sequence
Courtesy of the Artist
Photo: Maegan Hill-Carroll, Vancouver Art Gallery

Retainers of Anarchy is a solo exhibition featuring new work from Howie Tsui that considers wuxia as a narrative tool for dissidence and resistance. Wuxia, a traditional form of martial arts literature that expanded into 20th century popular film and television, was created out of narratives and characters often from lower social classes that uphold chivalric ideals against oppressive forces during unstable times. The People’s Republic of China placed wuxia under heavy censorship for fear of arousing anti-government sentiment. However practitioners advanced the form in Hong Kong making it one of the most popular genres of Chinese fiction. The title work, Retainers of Anarchy, is a 25-metre scroll-like video installation that references life during the Song dynasty (960–1279 CE), but undermines its idealized portraiture of social cohesion by setting the narrative in Kowloon’s notorious walled city—an ungoverned tenement of disenfranchised refugees in Hong Kong which was demolished in 1994.


Collaboratively organized by the Vancouver Art Gallery, Art Gallery of Greater Victoria and Ottawa Art Gallery. The Vancouver iteration is curated by Diana Freundl, Associate Curator, Asian Art.


  • Howie Tsui
    Retainers of Anarchy, 2017
    animation key frame drawings
    5-channel HD video installation, 6-channel audio
    Courtesy of the Artist


Generously supported by:

Sherry Killam


Publication

Howie Tsui: Retainers of Anachy

Co-published by the Ottawa Art Gallery and Art Gallery of Greater Victoria in partnership with the Vancouver Art Gallery, 2017
Hardcover, 95 pages
Full colour reproductions
Editors: Diana Freundl, Michelle S. Gewurtz and Michelle Jacques

 

This accompanying catalogue features Tsui’s animated key frame drawings creatively interpreted in book form with contributing texts by Alice Ming Wai Jim, Diana Freundl, Michelle S. Gewurtz and Michelle Jacques.

 

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