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SANCTUARY: The Ancient Forest Experience

May 14–November 15, 2026

Located on the 4th Floor

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Step inside a 360° experience set within some of British Columbia’s last remaining ancient forests, offering both an adventure for the senses and an ecological awakening.

Presented as part of the exhibition Future Geographies: Art in the Century of Climate Change, SANCTUARY: The Ancient Forest Experience is an immersive installation created by artist, ethnobotanist, educator and activist Dr. T’uy’t’tanat Cease Wyss in collaboration with filmmakers Damien Gillis and Olivier Leroux.

Inside a dome that represents an 1,800-year-old red cedar, viewers encounter a projection of 360° visuals that transport them to some of BC’s last remaining ancient forests—places rarely seen, increasingly threatened and profoundly sacred.

To learn more about how you can help preserve BC’s ancient forests, scroll down for links to the groups doing important work on the ground.

SANCTUARY features the Inland Temperate Rainforest in BC’s Kootenay region and the Dakota Bear Ancient Forest, known to the Skwxwú7mesh Úxwumixw (Squamish) People as Stalkaya (Home of the Sea Wolves) and located on the Sunshine Coast in the unceded territory of the Skwxwú7mesh Úxwumixw (Squamish Nation). These rich, intact forests, which have evolved since the last Ice Age, are set in stark contrast with nearby clear-cuts and tree plantations.

Narrated by Dr. Wyss, this multi-sensory work is accompanied by a layered soundscape of birdsong, flowing streams and waterfalls. It also highlights the flora and fauna of these ecosystems, including culturally modified trees, living evidence of the Squamish Nation’s long-term care and use of Stalkaya. Red and yellow cedars, traditionally used to make canoes, paddles, baskets, clothing and other vital cultural objects, feature prominently in the film, with a selection of works displayed in the gallery.

In 2021, following more than a decade of advocacy to halt logging in Stalkaya, the Squamish Nation and the Government of British Columbia reached an agreement to protect the forest. The film also explores ongoing efforts by the Valhalla Wilderness Society to protect the Inland Temperate Rainforest. While the creation of the Incomappleux Ancient Forest Conservancy in 2023 marked an important step forward, many ancient forests in the Kootenays remain unprotected—an increasingly critical pursuit in the era of climate change.

READ THE CURATORIAL STATEMENT

Additional Resources

SANCTUARY: The Ancient Forest Experience draws attention to the ecological and cultural significance of old-growth forests in British Columbia.

To learn more about the landscapes featured in the exhibition and related conservation and research initiatives, visit the following resources:

Valhalla Wilderness Society

ELF: Trails & Research

Organized by the Vancouver Art Gallery and curated by Eva Respini, Interim Co-CEO & Curator at Large, with Andrea Valentine-Lewis, Curatorial Assistant. The display of cedar objects and weavings is curated by Dr. T’uy’t’tanat Cease Wyss.
  • A photograph of looking into a giant replica cedar tree installation. Inside, there is a 360 degree dome playing a film featuring ancient forests. On the screen, there are trees and a woman stands at the centre.

    Installation view of SANCTUARY: The Ancient Forest Experience in Future Geographies: Art in the Century of Climate Change, exhibition at the Vancouver Art Gallery, May 14 to November 15, 2026, Photo: Vancouver Art Gallery

  • Installation view of SANCTUARY: The Ancient Forest Experience in Future Geographies: Art in the Century of Climate Change, exhibition at the Vancouver Art Gallery, May 14 to November 15, 2026, Photo: Vancouver Art Gallery

  • A photograph of Indigenous weavings of clothing made of cedar in the exhibition space.

    Installation view of SANCTUARY: The Ancient Forest Experience in Future Geographies: Art in the Century of Climate Change, exhibition at the Vancouver Art Gallery, May 14 to November 15, 2026, Photo: Vancouver Art Gallery

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