- About Us
- FUTURE GALLERY
The Vancouver Art Gallery presents exhibitions of work by artists ranging from historic masters to leading-edge contemporaries. These include major thematic exhibitions, presentations of solo artists and smaller, more focused showcases. In a typical year, 2 to 3 exhibitions are borrowed from other institutions and 10 to 12 exhibitions are developed in-house, drawing on our permanent collection and loans of works from around the world. In addition, the Gallery tours a few of its exhibitions each year.
1100 West Georgia Street
Vancouver, BC V6E 0A8
Offsite is located on West Georgia Street between Thurlow and Bute Streets, west of the Shangri–La Hotel.
The Experience, 2015
digital print of a handcut collage
Courtesy of the Artist
Visit the exhibition page and the Offsite microsite for further information on Offsite exhibitions and related public programs, special events, tours and lectures. Please click here or the image below.
Offsite is the Vancouver Art Gallery's outdoor exhibition space in the heart of urban Vancouver that offers a rotating program of innovative public art projects. Offsite serves as a locus for local and international contemporary artists to explore issues related to the surrounding urban context and respond to the changing social and cultural conditions of our world. As the latest addition to Vancouver's dynamic public art program, Offsite is unique in the temporary nature of this space.
Offsite allows the Vancouver Art Gallery to expand its dynamic contemporary art program beyond the walls of the building to engage an even broader audience in new and exciting ways,?said Kathleen Bartels, director of the Vancouver Art Gallery. "In this new dynamic space, we will present a wide range of inspiring and provocative work, from photography and sculpture to video and installation, allowing thousands of passersby to encounter the creations of internationally acclaimed artists on a daily basis.?
Since the launch of Offsite in 2009, artists have responded in dynamic ways to the specific nature of the site. The resulting new commissions have reflected these varied responses: O Zhang's highly colourful photographic portraits of young Chinese girls as the next generation of empowered citizens (Horizon (Sky), 2009), Ken Lum's reminder of contested local histories (from shangri–la to shangri–la, 2010), Heather and Ivan Morison's quest for alternative architectural models (Plaza, 2010), Elspeth Pratt's spatial transformation of the site (Second Date, 2011), Kota Ezawa's representation of democracy (Hand Vote, 2012) Damian Moppett's structural installation (Large Painting and Caryatid Maquette in Studio at Night (Sculpture Version), 2012) and MadeIn Company's multimedia installation that questioned perception (Calm, 2013), Mark Lewis' film screening (Eight Days, 2013), Babak Golkar's participatory ceramic scream vessels (Time to Let Go …, 2013-14), Robert Youds enigmatic light construction (For Everyone a Sunset, 2014), Reena Saini Kallat's intricate map (Woven Chronicle, 2015) made of handwoven electrical wires and currently Elizabeth Zvonar's 54-foot sun-bleached collage The Experience.
Michael O'Brian Family Foundation